The older I get the less the question "why" really matters. As a child it was the only question and it is asked with annoying frequency in my house now. There is an innate desire in humans to unravel the mysteries of cause and effect. It is bred into us and ingrained into us by our elders. It is soaked into the fabric of our culture... just flip to any channel incessantly playing Law and Order re-runs... and there it is. Justifiable cause that our fearless sleuths unravel and our prosecutors prosecute. We NEED our answers wrapped up neatly in sixty minutes. The tragedies that we can't wrap our brains around those where there is no cause... just fateful timing. Being in the wrong place at the wrong time. Our culture lacks the patience for the Greek myth of the Fates and so we seek black and white answers. Even our religion steeps us in this concept... predestination, karma, purgatory... all cause and effect in their own ways.
We want the world to be a place where goodness is rewarded and evil punished. We want to know that if we act well to our neighbors, they will, in turn, treat us well. But it doesn't always work out that way. Sometimes the bad guys win, and sometimes the goodness results in nothing more than heartbreak. There are supposedly (and according to a writing teacher of mine once) only a handful of plot lines for fiction. These plot lines are repeated all around us every day. The good guy gets the girl and lives happily ever after. The bad guy kills the good guy right at the point of success. The girl turns out to be the good guy... or the bad guy... or just not that into guys in general... etc. But they are rhythms that we are all very used to. Comedy. Tragedy. Two sides of the same face.
And at the apex of the maturity level in terms of plot devices is what is called "no plot"... popular among the Coen Brothers and others of their ilk. The hero is not that heroic and manages barely any change through the story. The plot points are vague and fuzzy. The message is in the background and at the end of it we are left scratching our heads or demanding our money back.
But perhaps that is life. We are the heroes of our story. And in one storyline I can be the hero... and in another storyline I can be the goat... and yet another the bad guy. But my life is all of these things together. And all that really matters is the perspective of the person delivering the judgment of who belongs in which category.
So it isn't why that matters anymore for me... all that matters is perspective.
Tuesday, August 31, 2010
Saturday, June 12, 2010
Tiny Dancer
For over a decade now, the summer has started with a night of dance. Two nights, actually, if you count the dress rehearsal. The bitter cold auditorium filled to capacity to watch the multitude of dresses and music and choreography. But no matter how many people are on stage... I only have eyes for you.
Over the years, it has become increasingly difficult to find you among all the other tall, thin girls with their hair pulled up. The groups have grown from a few in a static row, laughably attempting to remember the steps while craning their necks from side to side to watch their neighbors... to your groups now. Dozens of girls whipping around in long lines. First you are there. Then you are suddenly there. Popping in and out of vision. Your smile fixed firmly in place. Your timing always perfect. No longer is it just enough to remember your part, but now you must fit in seamlessly to all the others, forming a single unified unit devoid of individualism.
You have already grown out of believing me when I tell you that you are the best thing on the stage. The only one that knows their part. The one with the best smile. You know that it is only my job to tell you such things. You chide me for focusing the camera on you, instead of on all the girls together. For you, the interest is in the whole dance. For me... I can only see the tree and not the forest. The forest overwhelms. But I remember the tree when it just a sapling, and I remember the endless nights and days of care that we lavished on you so that you would bloom.
When you watch the video, you make fun of yourself for all of your mistakes. Hypercritical to the end. An unflattering trait that comes genetically, I'm afraid. You roll your eyes at my attempts to deflect your criticism of yourself, because you know so much more than I do. And that I am not really observant because my eyes are blinded by love.
And perhaps you are right. But I notice one thing. In the ballet number, right toward the end... you stand in the back, in the center of the stage against a giant blue scrim. I watch the graceful lines you make in silhouette. And just for a moment, your fingers splay slightly in a break of form. Then all the other girls leave you alone on the stage before you finally make your way off... the last girl among all the other trees in the forest of girls.
There is a tear in my eye. Because I noticed the splayed fingers. And it reminds me, viscerally, of the way you were ten years ago. I remember those sames hands... smaller and more childlike... splayed in the same unique way, which made you.... you.
And I love you all the more for it.
Over the years, it has become increasingly difficult to find you among all the other tall, thin girls with their hair pulled up. The groups have grown from a few in a static row, laughably attempting to remember the steps while craning their necks from side to side to watch their neighbors... to your groups now. Dozens of girls whipping around in long lines. First you are there. Then you are suddenly there. Popping in and out of vision. Your smile fixed firmly in place. Your timing always perfect. No longer is it just enough to remember your part, but now you must fit in seamlessly to all the others, forming a single unified unit devoid of individualism.
You have already grown out of believing me when I tell you that you are the best thing on the stage. The only one that knows their part. The one with the best smile. You know that it is only my job to tell you such things. You chide me for focusing the camera on you, instead of on all the girls together. For you, the interest is in the whole dance. For me... I can only see the tree and not the forest. The forest overwhelms. But I remember the tree when it just a sapling, and I remember the endless nights and days of care that we lavished on you so that you would bloom.
When you watch the video, you make fun of yourself for all of your mistakes. Hypercritical to the end. An unflattering trait that comes genetically, I'm afraid. You roll your eyes at my attempts to deflect your criticism of yourself, because you know so much more than I do. And that I am not really observant because my eyes are blinded by love.
And perhaps you are right. But I notice one thing. In the ballet number, right toward the end... you stand in the back, in the center of the stage against a giant blue scrim. I watch the graceful lines you make in silhouette. And just for a moment, your fingers splay slightly in a break of form. Then all the other girls leave you alone on the stage before you finally make your way off... the last girl among all the other trees in the forest of girls.
There is a tear in my eye. Because I noticed the splayed fingers. And it reminds me, viscerally, of the way you were ten years ago. I remember those sames hands... smaller and more childlike... splayed in the same unique way, which made you.... you.
And I love you all the more for it.
Labels:
dance,
fatherhood,
teens
Thursday, June 3, 2010
Rear View Mirror
I lay in my bed this morning enjoying just laying in my bed. The sheets were fresh. The pillow was mine. The air was damp and muted and all was quiet.
Then came a horrific crash which sounded like thunder, but in my room. I threw on some shorts and ran down the hall to find my youngest still abed covered with her covers. Then I ran to the next room and my son was making his bed... so everyone was alright. "What was that?" I asked. My daughter pointed to the foot of her bed where she had stretched so hard that she kicked over her toy bin. I had obviously missed this fact when checking to make sure that a tree hadn't come through the roof. Toys were everywhere and she was smiling.
Good morning.
I wonder about those moments. Those moments just before the crash. Those moments right before impact when all is well and all is quiet. How easy it is for us to take those moments for granted and assume that they will keep coming and coming.
Last week I got an email telling me of an accident. A boy that we knew was in a crash. This boy is one of the most talented athletes his age... and at age 11 he was know already across the country for his skill. But last weekend he and his father ran in to each other on motorcycles and for a while it looked like the boy wouldn't even survive... let along play hockey again. I couldn't help but ponder the events right before the crash. A beautiful, sunny day... perfect for play, full of happiness and joy... moments that we wish would last forever. But life doesn't play that way.
There is a balance, I suppose. I know many parents who refuse to let their kids live because they are so consumed by fear that something might happen to them that they cloister them away from everything. But this approach, perhaps, ultimately does more long term damage than the scars of all but the worst accidents. Fear consumes us so that we can no longer lay in bed and enjoy the moments of quiet because we just know that a crash is waiting around the corner.
We are merely mortal, regardless of how godlike we feel in certain moments. We are flesh and blood. It reminds me of the end of the movie Patton... when Patton is walking off into the sunset of the movie, having won the war... and a few months before his own crash and demise would come. He related a story as follows:
"For over a thousand years, Roman conquerors returning from the wars enjoyed the honor of a triumph, a tumultuous parade. In the procession came trumpeters and musicians and strange animals from the conquered territories together with carts laden with treasure and captured armaments. The conqueror rode in a triumphal chariot the dazed prisoners walking in chains before him.Sometimes, his children, robed in white... stood with him in the chariot, or rode the trace horses. A slave stood behind the conqueror holding a golden crown and whispering in his ear a warning... that all glory... is fleeting."
I think all we can do with the lives that we have is to enjoy the parade... or the quiet bed... or the moments of joy and sunshine in the moments that we are given. Maturity brings the knowledge that crashes will come... and we must be prepared to pick up the spilled toys... or deal with the more serious consequences. But there can be no greater regret in life than looking in the rear view mirror and realizing that we missed those moments because we were too busy worrying about those crashes to come.
Then came a horrific crash which sounded like thunder, but in my room. I threw on some shorts and ran down the hall to find my youngest still abed covered with her covers. Then I ran to the next room and my son was making his bed... so everyone was alright. "What was that?" I asked. My daughter pointed to the foot of her bed where she had stretched so hard that she kicked over her toy bin. I had obviously missed this fact when checking to make sure that a tree hadn't come through the roof. Toys were everywhere and she was smiling.
Good morning.
I wonder about those moments. Those moments just before the crash. Those moments right before impact when all is well and all is quiet. How easy it is for us to take those moments for granted and assume that they will keep coming and coming.
Last week I got an email telling me of an accident. A boy that we knew was in a crash. This boy is one of the most talented athletes his age... and at age 11 he was know already across the country for his skill. But last weekend he and his father ran in to each other on motorcycles and for a while it looked like the boy wouldn't even survive... let along play hockey again. I couldn't help but ponder the events right before the crash. A beautiful, sunny day... perfect for play, full of happiness and joy... moments that we wish would last forever. But life doesn't play that way.
There is a balance, I suppose. I know many parents who refuse to let their kids live because they are so consumed by fear that something might happen to them that they cloister them away from everything. But this approach, perhaps, ultimately does more long term damage than the scars of all but the worst accidents. Fear consumes us so that we can no longer lay in bed and enjoy the moments of quiet because we just know that a crash is waiting around the corner.
We are merely mortal, regardless of how godlike we feel in certain moments. We are flesh and blood. It reminds me of the end of the movie Patton... when Patton is walking off into the sunset of the movie, having won the war... and a few months before his own crash and demise would come. He related a story as follows:
"For over a thousand years, Roman conquerors returning from the wars enjoyed the honor of a triumph, a tumultuous parade. In the procession came trumpeters and musicians and strange animals from the conquered territories together with carts laden with treasure and captured armaments. The conqueror rode in a triumphal chariot the dazed prisoners walking in chains before him.Sometimes, his children, robed in white... stood with him in the chariot, or rode the trace horses. A slave stood behind the conqueror holding a golden crown and whispering in his ear a warning... that all glory... is fleeting."
I think all we can do with the lives that we have is to enjoy the parade... or the quiet bed... or the moments of joy and sunshine in the moments that we are given. Maturity brings the knowledge that crashes will come... and we must be prepared to pick up the spilled toys... or deal with the more serious consequences. But there can be no greater regret in life than looking in the rear view mirror and realizing that we missed those moments because we were too busy worrying about those crashes to come.
Labels:
crashes,
living in the moment,
patton
Monday, May 24, 2010
Storylines
I've slept in my bed once in the last two weeks. As I write this, I am sitting in an airport somewhere around the Rockie Mountains waiting for another plane to take off to another place. I'm told travel is supposed to be exciting. Mostly by people who don't have to do it very much. They are stuck in their time zones and want nothing more than to escape. I understand this.
This is "It's a Wonderful Life", where George is jealous of everyone who gets to go someplace other than Bedford Falls. His brother is off at war and it seems exotic and cool. But if the hero of the story was Harry and not George, the story line would be a lot different and I'm sure Harry would rather be back home than he would going up in a plane everyday and trying to kill people before they killed him. Both story lines are understandable to us. The desire to escape. The desire to return. The Lord of the Rings is all about that... the urgent need to leave the Shire, followed by two books of wishing they could be back in the Shire. And no, Mandy, it doesn't make be a geek because I referenced Lord of the Rings in a blog. Ok... maybe just a little.
My wife described her week ahead to me. "Drive here, do this, do that..." on and on. And she didn't sound very happy about it. It is a lot of moving from point A to point B, all in the service of someone else's schedule. There is cooking and cleaning and laundry and work and concerts and a large variety of other things that go on in the Shire that are the same as every other week. Her storyline has her trapped in this time frame forever... like Groundhog Day. "It will never change!" she wails. But it will, and then she might even miss it.
I know this travel stuff will change eventually. But for now it is my storyline. It is a little like the middle section of War and Peace. So I keep telling myself. If I slog through the doldrums for long enough I will get to the end of the book and it will feel worthwhile. It gets to a point where the place and the time are all relative. I'm not sure if I'm two time zones ahead? Or one behind. Or if I'm supposed to be eating lunch or dinner. You get up when the sun rises and work until it is long gone. And the beautiful and exotic things that surround me remain hidden as I never escape the terminal. There is a purgatory aspect to this sort of life. A myriad of faces, none of them known. None of them familiar. And so this hero in this story at this moment wishes for nothing more than familiarity and my own pillow.
They changed my gate again. Off to track down my next leg.
Over and out.
This is "It's a Wonderful Life", where George is jealous of everyone who gets to go someplace other than Bedford Falls. His brother is off at war and it seems exotic and cool. But if the hero of the story was Harry and not George, the story line would be a lot different and I'm sure Harry would rather be back home than he would going up in a plane everyday and trying to kill people before they killed him. Both story lines are understandable to us. The desire to escape. The desire to return. The Lord of the Rings is all about that... the urgent need to leave the Shire, followed by two books of wishing they could be back in the Shire. And no, Mandy, it doesn't make be a geek because I referenced Lord of the Rings in a blog. Ok... maybe just a little.
My wife described her week ahead to me. "Drive here, do this, do that..." on and on. And she didn't sound very happy about it. It is a lot of moving from point A to point B, all in the service of someone else's schedule. There is cooking and cleaning and laundry and work and concerts and a large variety of other things that go on in the Shire that are the same as every other week. Her storyline has her trapped in this time frame forever... like Groundhog Day. "It will never change!" she wails. But it will, and then she might even miss it.
I know this travel stuff will change eventually. But for now it is my storyline. It is a little like the middle section of War and Peace. So I keep telling myself. If I slog through the doldrums for long enough I will get to the end of the book and it will feel worthwhile. It gets to a point where the place and the time are all relative. I'm not sure if I'm two time zones ahead? Or one behind. Or if I'm supposed to be eating lunch or dinner. You get up when the sun rises and work until it is long gone. And the beautiful and exotic things that surround me remain hidden as I never escape the terminal. There is a purgatory aspect to this sort of life. A myriad of faces, none of them known. None of them familiar. And so this hero in this story at this moment wishes for nothing more than familiarity and my own pillow.
They changed my gate again. Off to track down my next leg.
Over and out.
Labels:
Airports,
It's A Wonderful Life,
Lord of the Rings
Thursday, April 22, 2010
Invisible Fences Make Good Neighbors
My dog has an Invisible Fence... a wire that runs around my property and is buried under the ground. He wears a collar and if he gets too close to the line it beeps, and if he ignores the beep... it gives him a shock. This sounds cruel, but I live on a busy street and with three kids running in and out, there was a good chance of him getting out and getting hit. Once we had the fence installed, he did get shocked a few times. But only a very few. They put flags up to warn him where the border was and he learned in a day where his territory was. It has gotten to the point where he doesn't even wear his collar much anymore. He just assumes that his border is what it is... and he is content in his box. And he runs madly around in that box to the point of wearing a path through my front yard... right where the line is.
Having spent much of the last year watching the unfolding drama of various celebrities... John Edwards, Tiger Woods, Jesse James, and Tiki Barber... to name the obvious... I am struck by a sea change of the male/female dynamic. I am not naive enough to think that these men are a new phenomenon. The sea change is, however, in how these men are portrayed in the press, and by the public in general. In many cases prior, much of the blame was wrongly placed on the woman... the succubus who come for seduction and are completely irresistible to even the strongest of men, willing them away from their chosen mates. But the sea change is that in these latest cases the men are portrayed as the offenders and the women, as innocent victims of the man's sexual appetites. I don't really know what went on in any of these cases... and neither do you... as much as you think you might. In all likelihood there is guilt on both sides of the aisle. But that doesn't make for as good of a story.
But how does this relate to Invisible fences... you ask.
Well, if I didn't buy my dog an Invisible Fence... he would undoubtedly be running around the neighborhood in a bacchanalian frenzy, screwing everything in sight... girl dogs, boy dogs, children, legs, trees, fire hydrants... etc. There are many dogs in my neighborhood... and many real fences... and some of the dogs ignore their borders and dig under the fences and bound around, breaking out of their boxes and breaking the rules. It isn't until they get hit by the car that they realize that this probably wasn't a good idea. However, those with fences that shock provide some pain beforehand to deter the inevitable frenzy to occurs. I wonder how many of the above mentioned men would have strayed if they were given the painful shock of embarrassment and family ruination that comes after the fact.
It is easy to sit on the sidelines and judge others... and I realize that none of us are completely to blame... nor completely innocent. My dog follows his nature. His nature is to sow his seed far and wide. As more evolved... we humans are supposed to live by a code which uses rules and morals to provide the Invisible Fences around us. Our big brains allow us to think into the future and to see the destruction our actions will cause... both to ourselves and to those around us. Yet the big brain is often overridden by the little brain of our libido.
Perhaps we all just need to wear collars that provide us a jolt of electricity when we begin to get too close to the line.
Having spent much of the last year watching the unfolding drama of various celebrities... John Edwards, Tiger Woods, Jesse James, and Tiki Barber... to name the obvious... I am struck by a sea change of the male/female dynamic. I am not naive enough to think that these men are a new phenomenon. The sea change is, however, in how these men are portrayed in the press, and by the public in general. In many cases prior, much of the blame was wrongly placed on the woman... the succubus who come for seduction and are completely irresistible to even the strongest of men, willing them away from their chosen mates. But the sea change is that in these latest cases the men are portrayed as the offenders and the women, as innocent victims of the man's sexual appetites. I don't really know what went on in any of these cases... and neither do you... as much as you think you might. In all likelihood there is guilt on both sides of the aisle. But that doesn't make for as good of a story.
But how does this relate to Invisible fences... you ask.
Well, if I didn't buy my dog an Invisible Fence... he would undoubtedly be running around the neighborhood in a bacchanalian frenzy, screwing everything in sight... girl dogs, boy dogs, children, legs, trees, fire hydrants... etc. There are many dogs in my neighborhood... and many real fences... and some of the dogs ignore their borders and dig under the fences and bound around, breaking out of their boxes and breaking the rules. It isn't until they get hit by the car that they realize that this probably wasn't a good idea. However, those with fences that shock provide some pain beforehand to deter the inevitable frenzy to occurs. I wonder how many of the above mentioned men would have strayed if they were given the painful shock of embarrassment and family ruination that comes after the fact.
It is easy to sit on the sidelines and judge others... and I realize that none of us are completely to blame... nor completely innocent. My dog follows his nature. His nature is to sow his seed far and wide. As more evolved... we humans are supposed to live by a code which uses rules and morals to provide the Invisible Fences around us. Our big brains allow us to think into the future and to see the destruction our actions will cause... both to ourselves and to those around us. Yet the big brain is often overridden by the little brain of our libido.
Perhaps we all just need to wear collars that provide us a jolt of electricity when we begin to get too close to the line.
Labels:
cheating,
Dogs,
invisible fences,
succubus
Monday, April 12, 2010
Touch
The fire has died down to embers. The quiet descends as a shroud, covering us in a canopy of muted and tranquil depth. Shadows cover shadows until the eyes strain to uncover the deep grays from the deeper blacks in a futile attempt to divide and parse the world with the weakest of the senses. But while one sense fades, others rush to take its place. The burning wood stings the nose, overpowering the musky pine and loam. But not the fragrance of your hair... so close. The last crackle of the wood spikes the hearing, until the deep rumble of a train, miles away, returns to prominence. Thump, thump, thump.
The moon is full behind the swiftly moving blanket of clouds, and through the trees, the blanket thins for a brief moment and shadows chase themselves until the darkness envelopes us once again.
Your body shifts against me. It is solid and real and full of substance. For a moment, I had forgotten that we were two, but your subtle movement in the crook of my arm is a gentle reminder of our separateness. I can feel your breath against my neck, your hand tightening slightly over mine. The touch is casual. Familiar. Should all other senses fail me, it is touch that will buoy me and keep me afloat on the vast ocean of nothingness. It is touch that connects and combines those things that are unique and separate. It is filled with the raw emotions... the violence of anger... the trembling of fear... the gentleness of love. But the easy manner in which your hand finds mine and gently strokes the hair on my arm speaks volumes more to me than the obviousness of the others.
It is music to me, a melancholy air played on the strings of the heart. The impermanence of now. The moments and touches and feelings and emotions that co-mingle into the sense of being alive. The sense that can be raucous and jovial... tearful and heartbreaking... or, like now... calming and infinite.
I know not what goes through your head... or your heart... but only that you are here. Because I can feel you.
The moon is full behind the swiftly moving blanket of clouds, and through the trees, the blanket thins for a brief moment and shadows chase themselves until the darkness envelopes us once again.
Your body shifts against me. It is solid and real and full of substance. For a moment, I had forgotten that we were two, but your subtle movement in the crook of my arm is a gentle reminder of our separateness. I can feel your breath against my neck, your hand tightening slightly over mine. The touch is casual. Familiar. Should all other senses fail me, it is touch that will buoy me and keep me afloat on the vast ocean of nothingness. It is touch that connects and combines those things that are unique and separate. It is filled with the raw emotions... the violence of anger... the trembling of fear... the gentleness of love. But the easy manner in which your hand finds mine and gently strokes the hair on my arm speaks volumes more to me than the obviousness of the others.
It is music to me, a melancholy air played on the strings of the heart. The impermanence of now. The moments and touches and feelings and emotions that co-mingle into the sense of being alive. The sense that can be raucous and jovial... tearful and heartbreaking... or, like now... calming and infinite.
I know not what goes through your head... or your heart... but only that you are here. Because I can feel you.
Thursday, April 8, 2010
An Analog Boy in a Digital World
I was in film school at the dawn of the digital revolution. The talk then was all about the difference between film and video... how to shoot it, light it... This was in the years when if you turned a video camera and pointed it directly at a light you could burn out the tubes inside and ruin the camera for good... and these weren't the cheap cameras... they usually ran about $40K. So we were all very careful. My area of interest was as a cameraman, and I was rankled to have to fit my "art" into the confines defined by a video engineer. I was hardly alone in this and because of it, the look of video has never really taken off for professional projects. And except for a few "video" classes everything I shot was shot in film.
Even today a majority of television shows are still recorded on film. Editing was a different story... the digital revolution was massive for film editors. The silly practice of physically splicing film together was replaced quickly and nearly universally by digital editors. But except for some advances in true digital photography, film for shooting still rules as a recording mechanism in movies and TV.
Why this remains so is hard to describe to most people. But I guarantee that if you saw the results side by side, you would be able to tell. Even the best digital camera has a different way of light capture than a regular film camera. But things are changing quickly as we become more and more accustomed to the "look" of digital. HD TVs are so ubiquitous as to make "regular" TVs seem like dinosaurs. And digital still cameras have made film SLRs seems ancient for home use, and increasingly for professional use.
I've been thinking about all of this of late because I got a Kindle for my birthday. I had been oohing and aahing over a few friends who had gotten one for Christmas, so one magically showed up from Amazon for my birthday a few months later. As a man, I like me some gadgets. But as a well known bibliophile, I also love the feel and smell and touch of books. As with film, it is hard to explain to a non-believer why one would miss the feel of a book. But you do.
The logical part of my brain, which thinks about things like sustainability, knows that it is wasteful to cut down trees to continually make new books and magazines and newspapers, when it is faster and cheaper to deliver words digitally. And I have to say, it is pretty f-ing cool to be on a phone call with someone listening to them rave about a book and download it and start reading it before the call ends. I've done that twice already in my two months of Kindling. It is also cool to have 50 or a 100 or a 1000 books in my backpack without walking around like Igor.
Likewise, shooting family stills has gone by the wayside in a digital world. The photo chemical industry is in the toilet. Which is not a bad thing unless you are in the photo chemical business. Our kids will no doubt be so used to the look of digital that films and TV will eventually go that way too. And it is just a matter of time until e-book readers become so universal as to make hard copy production obsolete. The nay-sayers may say "NEVER"... but the writing is already there, and like all such sea changes, we end up looking like dinosaur hold overs from a different age... laughed at and mocked by the new generation.
And despite logic to the contrary, I will remain nostalgic for the analog world. I will remember the many hours spent changing film with my hands deep inside a light-bag, my hands touching the reels, and carefully and blindly feeding them through the camera. I will remain nostalgic for the look of grain in a world of discrete pixels... of lighting with your gut, and knowing that it was, at the very best, a guess... instead of a sure thing. And I will remain nostalgic for the book stores and libraries that will fade away by the time I die... and the feeling of being surrounded by the works of generations... a feeling I don't get when I hold the thin Kindle in my hand... even though it holds a whole shelf of books already.
Logic does not play well with nostalgia. Nostalgia is smells, and touches... heartbeats and fragments of memories. It is the emotion that we turn to when the antiseptic cleanliness of logic fails to move us. And after all, living is about being moved. And even while they laugh at me now for my nostalgia, the next generation will have their own list of things which will make them nostalgic, I'm sure. At least, I hope.
Even today a majority of television shows are still recorded on film. Editing was a different story... the digital revolution was massive for film editors. The silly practice of physically splicing film together was replaced quickly and nearly universally by digital editors. But except for some advances in true digital photography, film for shooting still rules as a recording mechanism in movies and TV.
Why this remains so is hard to describe to most people. But I guarantee that if you saw the results side by side, you would be able to tell. Even the best digital camera has a different way of light capture than a regular film camera. But things are changing quickly as we become more and more accustomed to the "look" of digital. HD TVs are so ubiquitous as to make "regular" TVs seem like dinosaurs. And digital still cameras have made film SLRs seems ancient for home use, and increasingly for professional use.
I've been thinking about all of this of late because I got a Kindle for my birthday. I had been oohing and aahing over a few friends who had gotten one for Christmas, so one magically showed up from Amazon for my birthday a few months later. As a man, I like me some gadgets. But as a well known bibliophile, I also love the feel and smell and touch of books. As with film, it is hard to explain to a non-believer why one would miss the feel of a book. But you do.
The logical part of my brain, which thinks about things like sustainability, knows that it is wasteful to cut down trees to continually make new books and magazines and newspapers, when it is faster and cheaper to deliver words digitally. And I have to say, it is pretty f-ing cool to be on a phone call with someone listening to them rave about a book and download it and start reading it before the call ends. I've done that twice already in my two months of Kindling. It is also cool to have 50 or a 100 or a 1000 books in my backpack without walking around like Igor.
Likewise, shooting family stills has gone by the wayside in a digital world. The photo chemical industry is in the toilet. Which is not a bad thing unless you are in the photo chemical business. Our kids will no doubt be so used to the look of digital that films and TV will eventually go that way too. And it is just a matter of time until e-book readers become so universal as to make hard copy production obsolete. The nay-sayers may say "NEVER"... but the writing is already there, and like all such sea changes, we end up looking like dinosaur hold overs from a different age... laughed at and mocked by the new generation.
And despite logic to the contrary, I will remain nostalgic for the analog world. I will remember the many hours spent changing film with my hands deep inside a light-bag, my hands touching the reels, and carefully and blindly feeding them through the camera. I will remain nostalgic for the look of grain in a world of discrete pixels... of lighting with your gut, and knowing that it was, at the very best, a guess... instead of a sure thing. And I will remain nostalgic for the book stores and libraries that will fade away by the time I die... and the feeling of being surrounded by the works of generations... a feeling I don't get when I hold the thin Kindle in my hand... even though it holds a whole shelf of books already.
Logic does not play well with nostalgia. Nostalgia is smells, and touches... heartbeats and fragments of memories. It is the emotion that we turn to when the antiseptic cleanliness of logic fails to move us. And after all, living is about being moved. And even while they laugh at me now for my nostalgia, the next generation will have their own list of things which will make them nostalgic, I'm sure. At least, I hope.
Labels:
analog,
digital,
film vs. video,
Kindles
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